Videos

Functional Forms from Frit L151

In this project-based lesson, we create a sumptuous slumped bowl and lid using frit as our only glass.

Alicia Lomné's meticulous pâte de verre works

Master Class Video: Pâte de Verre, Grains of Light with Alicia Lomné L181

In this 5.5-hour Master Class Video, artist Alicia Lomné guides students in a meticulous exploration of the varied processes she uses to create her signature works.

Photoshop for Powder Printing L150

The digital universe is about to become your analog playground. In this video lesson, you will learn how to convert digital images into film positives using Adobe Photoshop.

Bullseye staff photographer preparing to demonstrate how to photograph glass

Photographing Glass L138

Bullseye photographer Hanmi Meyer shares proven practices, strategies, and pro tips that lead to success in photographing glass.

This lesson models the fusing, coldworking, and slumping of a simple bowl to illustrates the sumptuous earth and jewel tones produced by a reactive effect.

Petrified Wood and Robin’s Egg Blue Bowl L153

In a demonstration of rich reactive potential, this lesson combines a streaky sheet glass style called Petrified Wood with Robin’s Egg Blue, a copper-bearing opalescent.

Master Class Video: Tall Vessels with Amanda Simmons L144

In this 60-minute Master Class Video, Scotland-based artist Amanda Simmons shares the full process by which she creates her tall vessels.

Example of a Tapestry piece by Richard Parrish

Master Class Video: The Tapestry Project with Richard Parrish L143

This 90-minute comprehensive Master Class Video follows Richard Parrish in a step-by-step, live action instructional on how he creates his acclaimed Tapestry pieces.

Underglaze Pencils L135

In this project-based lesson, we use a ceramic underglaze pencil to decorate coasters with ginkgo leaves.

Design a plate based on an organic cut-out shape in order to learn the basics of sandblasting and give your finished work a semi-matte finish.

Design, Blast, and Fire with Plants L137

Learn the basics of sandblasting while designing and making a fused, slumped plate.

In this lesson, we'll demonstrate a process that will help you to make multicolor screen prints using Color Line Pastes and decal transfer paper.

Multicolor Screen Printing with Color Line Pastes L148B

Color Line Screen Pastes are a great alternative to working with powdered enamels for screen printing on glass. Because they come pre-mixed into a medium, there is no need to mix powders. Just open the container, stir with a palette knife, and you're ready to mix colors or print.

This lesson explores screen printing with Color Line Screen Pastes, covering the advantages of this product and basic instructions for using it effectively.

Screen Printing Basics with Color Line Pastes L148A

In this lesson, we'll explore how to print on glass using using Color Line Screen Pastes. These are ready to print directly out of the container and do not require ventilation or a respirator.

Skillful kilnforming usually requires savvy annealing. This lesson explores the many considerations involved in successful annealing of Bullseye Glass.

Recommended Annealing Cycle for Bullseye Glass L206

This 20-minute presentation focuses on the theory and process of getting the stress out of fused glass work and acts as an introduction to the new annealing cycle recommended by Bullseye.

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