Color Line Screen Pastes are a great alternative to working with powdered enamels for screen printing on glass. Because they come pre-mixed into a medium, there is no need to mix powders. Just open the container, stir with a palette knife, and you're ready to mix colors or print.
In this lesson, we'll explore how to print on glass using using Color Line Screen Pastes. These are ready to print directly out of the container and do not require ventilation or a respirator.
This 20-minute presentation focuses on the theory and process of getting the stress out of fused glass work and acts as an introduction to the new annealing cycle recommended by Bullseye.
The Judson Studios created the world’s largest single stained glass window for the United Methodist Church of the Resurrection in Leawood, Kansas. This is the story of how they brought it to life.
Learn the basics of working with Milestone decals, tips for applying them to sheet glass, and how to fire them for the best results.
In this video, Bullseye's Ted Sawyer demonstrates the finer points of the Bohle Silberschnitt Studio Circle Cutter.
In this video, Bullseye's Ted Sawyer demonstrates the finer points of the Bohle Silberschnitt Self-Oiling Cutter
In this video, Bullseye's Ted Sawyer demonstrates the finer points of the Bohle Silberschnitt Repetitive Small Circle Cutter.
In this lesson, we'll cover how to enter a basic program, as well as some commonly used programming options for the Sentry Xpress 4.
Artist Miguel Unson demonstrates his signature “Zen Organico” approach - and thanks to Bullseye’s specially-equipped kiln, you will see the entire process unfold.
"Like most accomplished abusers of information, I incorporate multiple levels of deceit, manipulation, and both feigned and true ignorance." So begins the description of this session by artist Richard Marquis.
Professor James B. Thompson on the history of color, how his work and processes in various media incorporate concepts of color, and how his exploration of glass properties inform his understanding of color as an art practitioner.